Thursday, February 26, 2009

Theatre Reviewer Opinions: Everyone Has One


So, with two shows left to go for my run in American Rapture at 42nd street's Beckett Theatre, I can say it has been, overall, a wonderful experience. I've been with a great theatre company, directed by a wonderful and brilliant director, I've gotten to work with a fabulous script by one of this century's most gifted playwrights, and I've been allowed to share the stage with a collection of incredibly talented and amazing actors. It's been a pleasure.

I've also been blessed with several wonderful reviews, including one in Backstage, which singled my acting out as pretty darn good. "The two actors who appear only in the Saroyan play, about a man in jail for possible rape, are exceptional. Stewart Walker as the prisoner conveys an experience and yearning far beyond the confines of his cell, and Dianna Martin is simply heartbreaking as the jail's powerless cook, who is as lonely and longing as her prisoner and keeps him company."
There were several others that said lovely things and I'm thankful to each and every one of those reviewers who thought my work good enough to comment on and say something nice about...at least all the hard work I did didn't go to waste.

Then, of course, there are people who don't like what my co-star and I did. Our play - the style and the acting that would effectively carry it, are not to some people's tastes. So a few reviewers simply mentioned everyone BUT us in their lovely reviews of the show. Okay...I guess I'd rather be not mentioned than to be singled out as something they hated. Everyone has an opinion.

But one reviewer did mention how much he disliked Hello Out There (the play that my co-star and I were in in the evening of short plays, a play that was written by William Saroyan) - and the actors work so much, that he barely left time to talk about how much he loved the rest of the show - a point he was trying to make but could not do so because he was too busy enjoying being a catty bastard. In fact...I wouldn't mind so much, except that he also put down my looks; my actual physical appearance. "...She’s, well, plain. Dumpy. Homely? Yes." Uh, WTF? The attacks on my physical features notwithstanding, the (I would say writer, but...) also gives away the ending completely in the review (spoiling it for anyone who hasn't read/seen it) and says basically that our performances and my fat ass made the the rest of the plays of the evening look bad. He spent so much time talking about that...that he didn't have hardly any time to really focus on the beauty of the rest of the show, which he agreed was wonderful. Hell, if you don't like what we did but you like the rest of the show, move the fuck on and talk about THEIR good work.

I ask you - what is the point of that? In all honesty, it almost seemed like someone was going for the jugular...it was unnecessary. I've read reviews from this site before and thought that some of the writers were often writing more to hear themselves talk, expounding on diatribes filled with multi-syllable words and conclusions drawn about theatre from an intellectual...and nasty nasty standpoint instead of one based in what was truly grounded in the acting. It's a good thing that the "writer" of the piece doesn't have a bio; I'd go send my Min Pin Chico to crap on his doorstep...with a picture of my "plain, dumpy, homely" ass next to it extending a middle finger.

The only good thing about his review was that he gave good kudos to my fellow cast-mates, whom I think did a wonderful job - especially that Laura got a splendid mention, which I think has been overlooked too often. I also think that he did a disservice to my co-star, Stewart; for fuck's sake, if you don't like fat actresses, then say it; don't take it out on Stewie; he did a great job.

But I have to remember: our director made a good point - about the irony that so many reviewers came to the same show and everyone walked out with a different point of view. And so...to be up on stage, one has to be able to take the good with the bad and not put too much stock in either. Difficult to do, indeed.

Sunday, February 15, 2009

Adventures in Modern Eating: Had Enough Of Your Plate?





“ Are you hungry? ”

“ No. I am tired of eating. It is so high maintenance and costs too much. I am tired of it. I cannot take it anymore! It is too much responsibility!

I want to take a break. Can I not get someone else to do it for me? I just want a vacation. Day in . . . Night out . . . Will it never end? Can I not delegate it?

I just need to hibernate like a bear, or live off fat humps like a camel. There is so much peer pressure—just because everyone else eats, does not mean that I must! I would rather find people who do not have enough to eat and go back to my roots.

There is just too much from which to choose—having to select all the “right” foods to eat, or else risk making myself sick, or too light, or too heavy. So much stress and pressure. Can it not be simple?

All this ingesting and excreting!
I just want to starve and die already!

And do not even get me started on the responsibilities of having to breathe in and out all of the time!!!

Inhale . . . Exhale . . . Inhale . . . Exhale . . . Inhale . . . Exhale . . .

It is utterly EXHAUSTING!

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So ask me again later. ”

Wednesday, February 04, 2009

Oberon Theatre Ensemble: Much Ado About Nothing and American Rapture

Well, I've gone and done it again: I'm in a play on 42nd street that opens Feb. 14th, American Rapture, and runs in rep with Oberon's other play, Much Ado About Nothing.

If you're in NYC, I suggest you come on out and see them - or, at least see me in American Rapture (it's an evening of short plays, and the one I am in is William Saroyan's Hello Out There).

Hope to see you at the theatre! I'm very stoked to be in an Off-Broadway show.



OBERON THEATRE ENSEMBLE‘S WINTER REP 2009
12th Anniversary Season: Shakespeare, Saroyan & Dinelaris


OBERON THEATRE ENSEMBLE is pleased to announce Winter Rep 2009, celebrating the company’s 12th Anniversary Repertory Season. The company will be presenting William Shakespeare’s Much About Nothing in conjunction with the series called, American Rapture, which includes Hello Out There by William Saroyan and world premiere plays by Alex Dinelaris (nominated Lucile Lortel/Drama Desks).

Brad Fryman, Oberon Theatre Ensemble Artistic Director, believes, "Although written over 400 years ago, the primal, the Machiavellian, the sultry and the romantic desires captured by The Bard, prevail in modern society. The two plays present contrasting looks at similar themes. In Much Ado, we see two true romantics on the road to marriage and another couple quite opposed to marriage who finally fight their way into each other's arms. In American Rapture the characters are also fighting to find their way, whether it's through relationships, self examination, or violence.”

Winter Rep 2009 will play a three-week engagement at The Beckett Theater at Theater Row (410 W 42nd St). Performances begin Thursday, February 12th, and continue through Sunday, March 1st. Tickets are $20.00 and $13.75 students/seniors. For reservations, please call 212-279-4200 or visit www.ticketcentral.com to purchase tickets online. Tickets may also be purchased in person at Theater Row’s box office, open daily from 12pm-8pm.

Much Ado About Nothing
by William Shakespeare
directed by Mark Karafin

Benedick and Beatrice have vowed to remain single and appear to enjoy their battle of wits too much to ever call a truce. Young lovers Hero and Claudio conspire to change their minds. A romantic comedy about winning the one you didn’t know you wanted most.

Thursday, Feb 12 at 8pm
Friday Feb 13 at 8pm
Monday, Feb 16 at 7pm
Tuesday, Feb 17 at 8pm
Wednesday, Feb 18 at 2pm
Saturday, Feb 21 at 8pm
Sunday, Feb 22 at 3pm
Wednesday, Feb 25 at 8pm
Thursday, Feb 26 at 8pm
Friday, Feb 27 at 8pm
Saturday, Feb 28 at 2pm

American Rapture
Hello Out There by William Saroyan and world-premiere plays by Alex Dinelaris
directed by Alex Dinelaris

An evening of short plays, some humorous, some tragic, explore the unique mixture of loneliness and hope, which make up the American Experience. Playwright/director Alex Dinelaris, who was nominated for a Lucille Lortel (Best Musical) and two Drama Desk Awards (Book & Lyrics) for his work on the off-Broadway hit, ZANNA DON’T!, weaves his way through modern relationships, religious hypocrisy, love, loss and the endless cycle of violence that threatens to swallow our society whole. The evening culminates with William Saroyan’s Hello Out There, the powerful tale of two outcasts who find love at the most unlikely of times, in the most unlikely of places.

Saturday, Feb 14 at 8pm
Sunday, Feb 15 at 3pm
Wednesday, Feb 18 at 8pm
Thursday, Feb 19 at 8pm
Friday, Feb 20 at 8pm
Saturday, Feb 21 at 2pm
Monday, Feb 23 at 7pm
Tuesday, Feb 24 at 8pm
Wednesday, Feb 25 at 2pm
Saturday, Feb 28 at 8pm
Sunday, Mar 1 at 3pm

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Visit www.oberontheatre.org for more information.

Please check out The Fab Marquee as well as Kampfire Films PR for information as well.